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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up injure myself quite a bit," he commented in a recent interview. "I fractured spinal bones in my back and cracked about multiple ribs and broke my wrist."

After contracting a lung infection and suffering from sepsis, he was put in an medically-induced sleep and stayed in hospital for seven months.

However, he had been in "high spirits emotionally" during the warmer months, as he worked on a fresh record with Almond, called Danceteria, which is set for release in the coming year.

"He was concentrated and very pleased with the latest project that we actually finished only a few days ago," stated the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the knowledge that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the songs you gave me. I couldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is distinct from being in a group, the bond is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from his birth name to David, together with his younger sister his sister, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Creative Collaboration

The duo were an distinctive pairing: Ball was the reserved musician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and makeup; but they attained a unique creative synergy.

Ball had cultivated a fascination with synthesizers after viewing Kraftwerk appear on a television science show Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling single of the early 80s, shifting 21 million units worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it contributed to cleared the way for the synth-pop sound of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were developing new material right up until Ball's passing

Professional Journey

Fame had its benefits. "I enjoyed being able to afford my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.

But it also caused problems. "Sudden riches allowed we could purchase substances to alleviate the monotony" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a truism for a valid cause, because it works for so many bands."

Amidst the party-filled existence, the pair were also drifting apart, but they succeeded to create a second memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, 2018.

Yet, they stayed active, recording their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they visited while recording their initial records.

He noted that his period in hospital had influenced the band's sound.

"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he told a publication.
"The new songs are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the experiences we got up to in the 80s."

The last versions were finished only a short time before Ball passed away. It is due for launch in the spring of 2026.

The writer

Jennifer Walter

Elara Voss is a TCG enthusiast and writer, exploring the depths of card game mechanics and competitive play.

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